Group Exhibition on View

Losing my sister at the age of 12 was the first shock in my life. I first started drawing when I was 20 years old. That was the light coming through the crack. I added colour in my life and decided to apply to an art school while I was studying marketing. Art became not only my best therapist, but also an immense motivation. Past belongs to the past. I create to find serenity and wish to pass it on people. Facing my deepest fears and turn them into happiness, that’s my goal. Clay keeps me grounded and connects me with the earth. Clay is an ongoing assistant, which I deeply appreciate. 

In a way, each reality represents a world that is intertwined with others, each interpretation is a set of personal assumptions that interpret the environment, where everything alien exists although I ignore it. Materiality then provokes a permanent watchful state permeated by the recesses of consciousness.

Each element makes sense when it is appropriate, as a reflection and complement, perhaps, of an inner world that seeks to avoid permanent abstraction. Therefore each reading of the environment and of the other is an adaptation, an encounter of uncertainty with the obligation to see.

This new dystopian present then exhibits the shadow world of the unknown, where one cannot escape the subjectivity of this new scenario and the threat that knowing the difficulties of reality now represents.

Once what is now presented as true has been discovered, the concern resounds about whether reality is definitive or is presented as a succession of uncertain realities.